Send what you have.
A deck, a reference, a rough idea. No discovery call required. An NDA before the first file moves.
Day 00 / The briefFilm & image-making.
Los Angeles / Everywhere.
Independent minds. Cinematic ambition.
We turn bold ideas into films, imagery
and worlds people feel.
LUZZI / PRIME 50
AI film + 3D. Under your name.A study in perspectiveThe independent
film & image-making unit.
For agencies, production companies and ambitious brands. Direction, AI filmmaking and precise 3D—built around your idea, delivered under your name.
A little tension. A different perspective.
A frame you feel before you understand it.
A product. A plinth. One source of light. The simplest setup can make the strongest statement.
Glass that holds the light. Metal that moves like silk. A form that opens into something else.

Heavy glass. Amber light. A suspended moment before the first spray.
An original studio experiment, from authored geometry to campaign atmosphere.
A rounded glass body, a heavy heel, a fluted cap. Geometry and label artwork built for this study.
A close-up atomizer, a suspended spray, and a slow fall through amber light. Scrub to explore every moment.
The bottle becomes the reference for an AI-created campaign image: amber light and sculptural stone.
The interactive bottle is authored 3D geometry with layered optical shading and a seeded particle spray. The campaign still is AI-created from that model’s rendered reference. This is a fictional studio concept, not a client project, and no campaign results are claimed.
Download the campaign frame ↗A single object. A completely different perspective.
Explore the form, then follow the light.

Every curve earns its place.
From a silhouette to the surface you want to touch. Explore an original product study—and the thinking behind every frame.

A product is never just a silhouette. It’s a material, a texture, the way an edge catches the light. We build for the close-up.
Imagine your product here ↗An image becomes a world.
A subject steps out of it.
A world, a subject, and a point of view. Start with the image.
A world. A subject. A point of view. Take the image apart, then change the frame.
Cold stone, warm light, a fictional vehicle. The complete composition.
Tidal / An original studio study.



A place that didn’t exist.
A feeling that does.
More room for the idea.
More hands for the making.
Bring us in behind the scenes. We work to your brief, your delivery specs and your client relationship—from the first test frame to the final handoff.
Bring us a launch, an overflow queue, or something you haven’t quite figured out yet. Clear scope. Published starting rates. Room for your margin.





You bring the brief. We bring the unit.
A deck, a reference, a rough idea. No discovery call required. An NDA before the first file moves.
Day 00 / The briefA test frame at final quality, free, within two business days. Something you can put in front of your client.
Day 02 / The proofApproved boards become masters, cutdowns and versions. Your specs, your naming, your credits. Two revision rounds included.
Your timeline / The delivery
I’m Victor Luzzi. A filmmaker, founder and the person who reads your brief. Five years in Los Angeles taught me how big productions get the shot. Luzzi is how I bring that thinking to a smaller unit.
Virtual production at Radiant Images. Immersive work at MeetMo. A Lumiere Award on a five-person team.
Born in Praia Grande, Brazil. Started Pinkamingo Media at seventeen, moved to Los Angeles at eighteen, then worked across virtual production, immersive media and product teams. Founded Aki, a real-time map connecting people with street and beach vendors in Brazil.
Individual experience on previous employer and team projects; these are not Luzzi client engagements.
Send the idea. We’ll return a free test frame within two business days. No deck required. No client names needed.
No. No contact, no credit, no case study without your written permission. If a call needs a technical answer we join as your team or we send you the answer to deliver. It is in the contract, not just on this page.
Yours, not ours. Send the paper you use with every other vendor. We sign before any file moves, and we work under your existing terms rather than asking you to re-paper a relationship.
Small and honest about it: two pods at a time right now, which is roughly two retained clients plus overflow batches. When we are full we say so and give you a date, rather than taking the job and going quiet.
Then the free test frame is where we both find out, before you have promised anyone a date. Packaging copy, complex transparency and heavily regulated categories are still genuinely difficult. We will tell you that instead of delivering something 80% right.
Yes. Your naming convention, your folder structure, your codecs and resolutions, your project tool. Send the delivery spec with the brief and it comes back the way your editor expects it.
Both, deliberately. Anything with a face making a claim is shot for real in Los Angeles. Environments, product motion, b-roll and variants are generated. Products run through a 3D twin so they stay exact. Every asset ships with a note on how it was made, which your client's legal team will eventually ask for.
You do, on payment. Masters, mezzanines, boards, twins, releases. Clean transfer so you can pass rights straight to your client.
Published above, so you can price your markup without a call. Fifty percent to start on projects, monthly in advance on pods, net 30 if your finance team requires it.
Have a frame in mind?
Let’s make it.↗